I'm trying to figure out some new melodic uses for the 266's S&H.
So far, one of the obvious uses is feeding the CV in of the S&H with the CV out from a sequencer and clocking the S&H slower than the sequencer and using the S&H's output into another VCO for bass notes.
Another is feeding the S&H's CV in and pulse in with the CV out and pulse out of a 218 and then using the 'alt' CV outs of the S&H to create pseudo polyphonic 2 note chords with the 218. I would have never thought of this until I saw Kyle demonstrating the 264 Quad Sample and Hold module in a SOU podcast YouTube video. The 264 looks like a lot of fun, hopefully the MEMS folks offer a pcb/panel set for one.
Besides your typical feeding a S&H with noise or a LFO for bleeps and bloops, what are other ways to melodically use the 266's S&H?
So far, one of the obvious uses is feeding the CV in of the S&H with the CV out from a sequencer and clocking the S&H slower than the sequencer and using the S&H's output into another VCO for bass notes.
Another is feeding the S&H's CV in and pulse in with the CV out and pulse out of a 218 and then using the 'alt' CV outs of the S&H to create pseudo polyphonic 2 note chords with the 218. I would have never thought of this until I saw Kyle demonstrating the 264 Quad Sample and Hold module in a SOU podcast YouTube video. The 264 looks like a lot of fun, hopefully the MEMS folks offer a pcb/panel set for one.
Besides your typical feeding a S&H with noise or a LFO for bleeps and bloops, what are other ways to melodically use the 266's S&H?
Statistics: Posted by fallout — Tue Dec 31, 2024 10:49 am — Replies 1 — Views 22